Canon Original Family Tree Camera Poster 35mm 1934-1997 Large 24'x33' NOS. Free shipping. Shooting Menu, Tab 2: Picture Style: Neutral with Sharpness Strength set to '1' (Note: the low contrast 'Neutral' picture style provides a histogram on the back of the camera that most-accurately shows me blown highlights and blocked shadows on the camera LCD. I usually change the Picture Style to 'Standard' in DPP after capture.). To ensure that you can use all Picture Style files, download the latest version of Digital Photo Professional from Canon's Web site. With Digital Photo Professional Ver. 2.0.1.4 for Mac OS X, saving the multiple RAW images in a bach-processing is not possible with the images Picture Style file applied.
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Modern photographic technology has made incredible progress over the years. With new cameras being launched daily with bigger sensors and better processing powers, the design and style of most cameras have started to feel similar and homogenous.
Many photographers are now looking out for cameras that have a distinct and individualistic design and this is where retro-styled cameras begin to find their niche. Retro styling is all about nostalgia and celebrating the days gone by. This trend is here to stay, whether it is in clothing, cars, vinyl LPs and even the revival of retro cameras.
Retro cameras take us back to the times of taking family pictures with old cameras and the start of one's love for photography. Have a retro-style camera is a great way to connect with that nostalgic feeling of using those solidly built, metal-body cameras.
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There is no reason why a high-performing camera cannot also look beautiful at the same time. Today, we have the luxury of owning retro-inspired cameras with fully digital functions.
Here are top 10 retro-style cameras we recommend due to their exquisite looks and competitive features:
1. Olympus PEN E-PL6
Although it isn’t the newest model in the line, the Olympus PEN E-PL6 is still one of the best retro compact cameras on the market. The main appeal behind this digital vintage-style device lies in the incredible picture quality it is capable of producing thanks to its integrated 16 megapixels MOS sensor. It is also touchscreen-operated for a modern twist, which adds to its potential.
It has a shutter speed of 1/4000 of a second, and it can produce eight frames per second when set to continuous shooting mode. Its robust SD card can store up to 64GB in data, which makes the Olympus PEN E-PL6 the perfect camera to take on holiday or to any other special event. It retails for little under 900 dollars, but it is a price well worth paying. For more details about this model check out this review.
Picture Style Canon Vintage Camera
2. Leica M-D (Typ 262)
Amd radeon hd 8850m driver. Leica is a historical name among the world’s film camera pioneers, and the design of their digital M-D (Typ 262) is a testament to that. If it weren’t for the absence of the cocking lever and film door, you wouldn’t be able to tell that this little gem isn’t a vintage device. To preserve an authentically retro feel, it does not have an incorporated LCD screen of any sort.
In its place, the camera sports a tasteful manual ISO selection dial that comes complete with the famous Leica numerical font. Therefore, this is a perfect piece of photographic equipment for those who wish to conserve the overall sensation and spirit of the good old days without sacrificing the use of brand new technology to enhance image quality.
In its place, the camera sports a tasteful manual ISO selection dial that comes complete with the famous Leica numerical font. Therefore, this is a perfect piece of photographic equipment for those who wish to conserve the overall sensation and spirit of the good old days without sacrificing the use of brand new technology to enhance image quality.
3. Canon PowerShot G9 X Mark II
The reputation of Canon as a manufacturer of DSLRs is notorious in the field of photography. Still, the brand produces compact and retro-inspired devices as well, and the Canon PowerShot G9 X Mark II is a perfect example. By taking a look at its list of specifications, it might seem like any other modern camera out there.
It has a 20.1-megapixel, one-inch high-sensitivity CMOS sensor with 3x optical zoom and an f/2-4.9 lens that is 35mm-equivalent. It can record in full HD and it has an inbuilt touchscreen monitor for convenience. But if you choose the silver version with its beautifully textured brown grips, you will feel like you are holding a device from another decade.
Picture Styles Canon
4. Fujifilm X100F
When it comes to retro-style digital cameras that are both stylish and antique in design, the Fujifilm X100F is arguably the quintessential device. It is recommended by both professionals and hobbyists, and there is a good reason for that. With its 16-megapixel sensor, the resulting images are stunning in quality, but you wouldn’t be able to tell by just looking at it.
The Fujifilm X100F has a classic rangefinder build, as well as various dials and buttons for that genuinely old-timely aesthetic. It has an advanced hybrid viewfinder and intuitive analog operation which combine beautifully with the overall look of the camera. What is more, its 3-inch LCD screen surprisingly doesn’t throw the entire thing out of tune, which is a huge plus.
The Fujifilm X100F has a classic rangefinder build, as well as various dials and buttons for that genuinely old-timely aesthetic. It has an advanced hybrid viewfinder and intuitive analog operation which combine beautifully with the overall look of the camera. What is more, its 3-inch LCD screen surprisingly doesn’t throw the entire thing out of tune, which is a huge plus.
5. Panasonic Lumix DMC-LX100
![Styles Styles](https://i.ytimg.com/vi/c3l_Gi6isXs/maxresdefault.jpg)
The Panasonic Lumix DMC-LX100 digital camera gives a nod to retro style with its Leica lens and already iconic rangefinder design. Still, it has no front-facing windows or viewports. This subtle touch gives the device its own unique personality, which makes it an investment worth considering. The silver model is particularly attractive thanks to its robust contrasting grip.
6. Pentax Silver KP
The Pentax Silver KP is a beautiful DSLR camera, which already sets it apart from the compact models on this list. However, its modern mechanism doesn’t mean that its design cannot be exquisitely inspired by the photography of past decades. Its bold metallic nameplate and hardware-inspired aesthetic make it a worthy addition to your camera arsenal.
7. Sony RX1R II
Returning to the land of compact cameras, it’s time to give Sony a shout out. The company’s RX1R II compact device is definitely a luxury item due to its 3,300-dollar price tag. However, if you are passionate about this art, it is well worth the splurge. It has a 35mm lens and adjacent sensor capable of capturing images at a quality of 43.6 megapixels.
Together with the variable filter-less design, the resulting pictures will be stunning in terms of color, clarity, and detail. This makes it a suitable device for street photography, so if you are passionate about this branch of the field, the investment will be even more meaningful.
8. Hasselblad X1D-50c
The Hasselblad X1D-50c paved the way for mirrorless medium format cameras, which earns it its place on this list. If you want to pay homage to the art of film photography with a device that is digital par excellence, it is the most suitable option. You will definitely fall in love with its elegant and sleek build, complete with engraving and other neat details.
9. Nikon 1 J5
Nikon is another brand professional photographers appreciate for its wide selection of high-quality DSLR cameras. Still, it manages to produce worthwhile compact devices as well, and the retro-inspired Nikon 1 J5 is a great example of that, especially if you go for the white colorway. There is something about its sleek design with metallic inserts that won’t fail to catch your eye.
10. Sigma SD Quattro H
If you are ready to whip out 1,000 dollars and spend it on a camera, then the Sigma sd Quattro H is the ideal vintage-emulating find for you. It shoots at a quality of 45 megapixels and a speed of 3.8 frames per second, and it has an incorporated APS-H Foveon X3 Quattro CMOS sensor. If you are in the market for a stylish device that is fully functional as well, why not give it a go?
The Bottom Line
The market is ripe with amazing options as far as retro-style digital cameras are concerned. While most of them are compact models, the odd DSLR pops up every now and then, which greatly varies the offer. So, which one of these bad boys are you dying to add to your collection? Any of the ten choices above will serve you well.
Note: We do not get any affiliate commission for the above recommendations
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These days, it seems that if you want to get a nice sharp lens, you have to spend $1000 on a piece of L glass. Aside from the nifty fifty’s of the world, there are very few lenses that deliver quality results at a low price. But if you look harder, there are actually a few old lenses that still offer amazing quality for extremely low price. How is that possible? Well, it is. Keep reading to learn how.
When Canon released the EOS system in 1987, they completely replaced the old manual-focus FD lenses. FD lenses were incompatible with EOS – only the new EF lenses would work. So Canon released a lot of quality EF lenses to use with the new cameras. From ’87 till the late 90s, Canon produced these older-style EF lenses. In the 2000s, most of them were discontinued. Today, they’re virtually unknown to most Canon shooters.
First, a disclaimer: most of these lenses, while very good quality, are still below L glass. Modern advancements have made amazing improvements in lens technology, which is to be expected. However, if you can’t afford a $1,000 lens, you can’t beat the value these lenses provide.
28–80 f/3.5–5.6 USM
This lens is probably the highlight of this post. It’s simply a stellar lens which is usually sold for under $100. Now, Canon produced many different models of 28–80 kit lenses. This one was the first, and the best. Each time they released a new one, the quality slowly went down. This is the one with the USM design and the metal mount.
Anyway, now about this lens. As I said, it’s a quality piece of glass. The image quality is very nice, and the build quality is simply unparalleled at its current price range. It has a nice metal mount, focus distance window, and nice focus and zoom rings. Here’s the kicker though: it features the fast USM ultrasonic autofocus motor. This is ring-type USM (there are other types, but ring-type is the best. Other 28–80 lenses have USM, but it’s not the ring-type like this lens has). AF is fast and snappy. If you need a general walk-around zoom lens on a tight budget, you simply can’t beat this lens. It also makes a great backup for a newer zoom lens.
It is a discontinued model, which means you’ll have to find a used one. However, this is good for you, because it’ll be much cheaper than your average new lens. Many people have started to notice the quality of the Canon 28–80 f/3.5–5.6 USM, which has caused the price to go up slightly. But the average used price on eBay currently seems to be between $50 and $100, which is a steal. Definitely a good option for a general zoom lens.
70–210 f/3.5–4.5 USM
This is the telephoto brother to the 28–80 USM. This 70–210mm f/3.5–4.5 lens is very similar: same design, construction, and build quality. It sports the same super-fast autofocus motor. It’s virtually the same lens, just with a different focal length. Although not as nice as the modern 70–200 L lenses, it’s definitely an option at around $100. This lens is a great option if you’re looking for a budget telephoto that will deliver decent results. The USM motor will be useful if you shoot fast action requiring fast AF tracking.
100–300 f/5.6 L
The 100–300mm f/5.6 L lens has the honour of being the most inexpensive L lens you can buy on the used market. This lens is a classic – it goes way back to the beginning of the EOS system in 1987. You can tell how old it is by the push-pull zoom design. But don’t be fooled by its looks – the 100–300L performs very well. It was made up to L standards, including UD and fluorite elements (certain glass that Canon uses in L lenses), which means the image quality is quite good. It’s also got that wonderful bright red ring.
This piece of glass does have a few downsides. First, it’s a push-pull zoom, so the operation will be very different than the ring zooming found on modern lenses. Also, it uses Canon’s AFD (arc form drive) autofocus system, which isn’t all that fast like USM. So it’s not an ideal lens for fast-moving sports or any action that requires AF tracking. But if you’re just looking for some more zoom reach with good image quality, I definitely recommend checking out this lens. It can be used for macro shooting as well, with its 4.6 ft. minimum focus distance (MFD). The 100–300L is an old lens, so it’s a bit difficult to find a good used one. There are plenty of them out there though, and if you’re patient and you look for it, you’ll find one.
100–300 f/4.5–5.6 USM
This is an alternative to the 70–210 USM telephoto with a bit more reach. The two lenses have very similar specs and design. The 70–210 has a faster aperture but not as much reach. The 100–300 f/4.5–5.6 USM is an excellent option for the times when you need a longer telephoto lens. It’s great for shooting sports, wildlife, and other action. The USM autofocus motor will keep up with the action. This lens gave me lots of excellent sports and wildlife photos for years before I upgraded to the 70–200L.
You’re probably wondering why I included two 100–300mm lenses in this post. Well, each has its own advantages. If you shoot a lot of action and need AF tracking, the USM motor in the 100–300 USM lens will be helpful for you. You’ll probably find the AFD motor of the 100–300L to be a bit slow. If, however, you don’t need fast autofocus, and you’d rather get the advantage in image quality that an L lens offers, go for the 100–300L. It’s a bit more expensive, but it’s got that red ring and the L image quality that comes with it.
24mm f/2.8
The 24mm f/2.8 is the only prime in this group. It’s an old one, released about a year into the EOS system. But it’s always been a great lens. For a long time, this was the only 24mm prime option in the Canon lens lineup (before the two L versions and the recent IS version). Adobe premiere pro windows 7 crack key. So it’s provided an excellent wide-angle length for years.
I own this lens myself, and it’s my go-to for wide-angle shooting. I love this lens – it’s small, light, and inexpensive. But it’s also sharp as a tack. I keep this thing on my 5D Mark II most of the time. The 24mm focal length is more useful for wide-angle if you have a full frame camera. 24mm is a nice wide focal length. However, when used on a crop DSLR, it becomes 36mm… which can be good or bad depending on your needs.
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If you’re looking for a wide-angle lens, 36mm probably won’t do it for you. But if you want a general walk-around prime lens that’s a bit wider than 50mm, 36mm is great. I’ve found this focal length to be the sweet spot for general shooting – it’s wider than 50mm, but not too wide. In either case, the 24mm f/2.8 is an excellent little lens that offers amazing value for its $200 price tag. I can wholeheartedly recommend it as a lens that has earned a spot in my camera bag.
28–70 f/3.5–4.5 II
Here’s another general zoom alternative: the Canon 28–70mm f/2.8 II. This lens is a beast. Don’t let its humble design and average build quality fool you – this lens performs extremely well.
No, it doesn’t have fast USM autofocus like the 28–80, and the 28–70’s design looks a bit old. The focus ring is narrow, and the build quality is simply average. But this lens is still a massive value, simply because of its glass. The images it produces are very sharp. Some say the image quality is on par with L lenses. You can find this lens on eBay for $100 or less – a bargain.
Conclusion
If you can’t afford an L lens yet, don’t just look for the cheapest option Canon currently offers. If you’re willing to buy a used lens, you can get L-like image quality for a fraction of the price. The quality you can find in these lenses for under $100 is astounding. So don’t limit yourself if you can’t afford an L.
You now know a secret that most Canon shooters don’t. So take advantage of it – pick up one of these lenses, shoot some photos, and see for yourself!
About the author: James Trent is an artist, entrepreneur, and photography lover. He runs Canon Lens Reviews, doing video reviews of popular Canon lenses. You can check out his website at JamesTrent.net. This article originally appeared on Contrastly.
Canon Picture Styles Raw
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